FROM THE START
American Valor #3
Cheryl Etchison
Releasing May 23, 2017
Avon Impulse
For many women, Ranger Battalion Surgeon Michael MacGregor is the ideal man. He’s far better than average looking, a generous tipper, not to mention an officer and a doctor. So when he encounters a woman resistant to his charms, he finds himself… intrigued.
Kacie Morgan has had her fill of arrogant military men since the last one left her with a shattered heart and one heck of a career rut. Now, with her prestigious fellowship starting in the fall, all she has to do is survive the summer—and her little sister’s wedding.
When an ill-fitting bridesmaid dress has Kacie wanting to temporarily shake things up in her carefully planned life, she knows just the man to call. They agree to a no-strings, summer fling, although it isn’t long before Michael wants Kacie for forever.
But to win her heart, he’ll have to confront the nightmares from his past if they’re to have any chance at a future.
May 2013
Kacie
Morgan raised the cloudy glass tumbler to her lips and licked the course salt
from its rim, all the while surveying the bar, knowing she was officially in
hell. Despite it being a fairly new establishment—and a nice place as far as
bars went—it just wasn’t her scene. The cowboy hats and cowboy boots. The
painted-on jeans that both the men and women wore. The line dancing and
mechanical bull.
Then
there was the fact she couldn’t stand country music. She might have been born
and raised in the South, but the appreciation for songs about racing pickups
down red dirt roads, getting drunk on Jack, and skinny-dipping in farm ponds
must have skipped a generation.
She
sighed and turned back around, catching a glimpse of herself in the mirror
behind the bar.
Dear
God in the heavens. She shouldn’t have looked.
She
squeezed her eyes shut and tossed back the remnants of her margarita on the
rocks. A tang and tart shiver raced the length of her spine, her body squirming
involuntarily to shake it off.
Her
empty glass met the cow-print bar top a little heavier than intended, the
upside being it garnered the bartender’s attention. “Another?” He shouted to be
heard over the music.
“Sure,”
she said. “Why the hell not?”
He
came over to clear away the empty glass and his eyes roamed her chest as he
took his damn sweet time to read the front of her shirt. She didn’t have to
glance at the mirror again to know the club lights ignited the rhinestones
across her shirt, the word bridesmaid glimmering in the relative dark like a
’70s disco ball.
“Eight
weeks,” she chanted to herself. “Eight. More. Weeks.”
Just
eight weeks until the bachelorette weekend, the holiday weekend, the rehearsal
dinner, the wedding, all of it would be over. Her baby sister would be happily
married and, more importantly, her maid of honor duties would be complete. No
longer would she have to be overly friendly to women who were not her friends.
No longer would she be guilted into wearing questionable attire or spending
money she didn’t have on all of the cutesy little things they wanted her to
“chip in” on.
Kacie
handed the bartender a few bills as he returned with her drink, then resumed
leaning against the bar, watching as the country music gave way to hip-hop and
the puritans bolted for the bars and seated areas. In the span of a few
minutes, the dance floor became an instant bump and grind session for anyone
under the age of twenty-five or with more than a few drinks in them.
In
a sea of cowboy hats and baseball caps, her baby sister was easy to spot. The
rhinestone tiara with attached veil on her head glittered in the pulsing lights
as she bopped around the dance floor. And all the other bridesmaids were right
there with her.
If
she were a better maid of honor, a better big sister, she’d suck it up and join
them. But she just couldn’t find it in herself to move. Ever since her
well-planned future with a man she loved—or at the very least thought she
loved—had taken a deep dive into the toilet nine months earlier, she found
having fun an almost impossible feat. How sad. How pathetic.
With
a pang, Kacie realized at the age of thirty-one she’d become what she always
feared most—a total buzzkill.
What did you enjoy most about
writing this book?
I really
enjoyed the early interactions between Michael and Kacie for this book but
especially the scene where they have sex the first time. The conversation is so
shallow and matter-of-fact since they’ve agreed to just use each other for sex.
I also
loved the argument between Michael and his sister-in-law. Bree has been more
like a sibling to him for so many years that it’s only fair they’d argue in the
same way he and his brother argue. Politeness be damned!
What gave you the most trouble with
this story?
When I
started this book, I hadn’t planned on Michael suffering from PTSD. But when I
began the editing process and reading it from the beginning, I realized all the
clues were there. He doesn’t really talk about his issues although it’s clear
those who know him best realize something is a bit off. And whenever the
suggestion is made that he speak to a therapist, he blows it off because he
doesn’t believe his problems are bad enough to warrant treatment. Which I think,
sadly, is an accurate representation for so many of those who serve in special
operations units.
Name three things on your desk right
now.
A small crystal
pig with pink wings named Penelope. I have always loved the expression “When
pigs fly!” and have always taken great pleasure in proving people wrong.
A
two-year-old fortune that says “You’ll never know what you can do until you
try.” I found it in my fortune cookie at a time when I was debating whether or
not I was read to query literary agents.
A small
Galah figurine given to me by the Australian family I lived with while on
foreign exchange in high school. They had rescued an injured Galah, which is a
type of cockatoo, and taught this bird to say my name. That damn bird made me
crazy because he would sometimes escape when I came home from school and then
proceed to hide high up in a tree while calling my name over and over, taunting
me.
If you
could have dinner with any three authors (alive or dead), who would you choose
and why?
My first instinct was to say Jane Austen, but I fear she’d end up
being a disappointment and ruining my perception of her. Ernest Hemingway would
have to be my number one since his personal life was as exciting as his
stories. Second would be Dorothy Parker since she had zero problem saying
exactly what she thought. Throw in the fact she was blacklisted in Hollywood, I
can only imagine the dirt she knew. Number three would have to be Stephen King.
I’d love to know what his childhood was like and whether or not his own writing
gives him nightmares.
What
are you favorite types of stories to read?
I absolutely adore historical romances. They are always my go-to read
when I’m in a bad mood or a writing rut. I love all that despite a ton of
societal rules, there were women who willingly ignored them and threw caution
to the wind. Personally, I like to think had I lived during the Regency era
that I’d have been one of those women who wore pants and rode astride and
basically thumbed her nose to everyone who dared say “You shouldn’t do that!”
How long have you been writing, and
what (or who) inspired you to start?
There was
a built in desk in my bedroom growing up and it being the only desk in the
house, that’s where the Selectric typewriter lived. When I was in elementary
school, my mother would write youth soccer recaps for the local paper and when
she was done I would sit down and mimic her. I don’t recall ever writing
fiction. Instead, I wrote recaps of the Olympics and Super Bowls. In school I
always excelled at creative writing but it wasn’t until I was in college, at
the encouragement of a professor, I switched from Accounting to Journalism.
After graduating, I always wrote for work, but never for myself. Then when my
oldest was born, I quit writing altogether for about six years until I found an
online community and began writing fanfiction. Through that I made a friend who
was a member of RWA and encouraged me to attend the national conference with
her in 2011. The rest is history.
When I
began working on this story five years ago, it was the story of a doctor who’d
just left the army and was trying to find his way in the civilian world. Sadly,
my hero was, in a word, boring. He was too nice. Too polite. He was just… ugh. But
I kept at him and gave him a brother and father and he began taking shape. By
the time I actually started to like Michael MacGregor, I realized his story
would be better if his younger brother’s story came first. So I went back to
square one and began working on ONCE AND FOR ALL. When I returned to Michael’s
original story last year, I had to scrap most of it because some scenes were
more like Danny and other scenes were more like Lucky (the hero in HERE AND NOW).
So I had to practically start completely over, but this time I knew exactly who
Michael MacGregor was and what he’d been through.
What do you do when you are not
writing?
As a mom of
three, I’m usually pretty busy when I’m not writing. There’s always a kitchen
to be cleaned or laundry to be folded or a kid to be driven somewhere. And now
my oldest has her learner’s permit and I’m the one she drives with the most. So
that’s always fun. Not really.
Are there certain characters you
would like to go back to, or is there a theme or idea you’d love to work with?
I love that
I was given the opportunity to bring Michael and Danny’s mother to life in this
book thanks to my editor suggesting I include a flashback. If there is one
couple I would love to write, it would be their parents. I would love to see
Mac MacGregor fall head over heels in love with Lily.
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